Re: Books in English on Hong Kong film
Posted: Fri Mar 13, 2009 10:20 pm
What I wrote on Once Upon A Time In China by Jeff Yang:
Using the title from a Tsui Hark directed movie starring Jet Li (and a plethora of sequels) Jeff Yang, author of Eastern Standard Time and coauthor of the Jackie Chan autobiography I Am Jackie Chan, attempts to pen a "… comprehensive guide to the unique cinemas of Hong Kong, Taiwan and the Mainland…". While ultimately Yang fails in his thesis he did write and collaborate with many co-writers to create a well thought out albeit terse primer on the cinema of these three cinemas (134 pages). It is followed by a Capsule Reviews section (135 pages) that gives a summary overview of pertinent films discussed in the book or, I suppose, considered important by Yang.
This book does a good job of succinctly stating the origins of Chinese Film, the important companies such as Cathay, Shaw Brothers and MP&GI, the importance of Mandarin and Cantonese cinema, TVB, Triads, important actors such as Jackie Chan, Stephen Chow (Chiau), Michael Hui and directors as Chang Cheh, Zhang Yimou, Tsai Ming-liang, Wong Kar-wai and Wong Jing and many more. In fact the book works well as a "cliff notes" version of these cinemas with a particularly strong emphasis on Hong Kong cinema. There is mention of many genres and his writing is strong enough that I wished there was more material to peruse. The essays interspersed throughout the book on specific topics such as Wong Fei Hung, The Shaolin Temple by Linn Haynes, Jin Yong by Peter Nepstad and Category III Erotica by John Charles help tremendously in keeping the book interesting as well as informative.
Unfortunately, the Capsule Reviews are probably the least important part of the book. It does not always enough detail to enlighten or enhance your viewing, misses some important HK genre pictures like Sammo Hung's Prodigal Son and Spooky Encounters and ends a lot of the reviews with "Reviewers called it…" with a particular point of view without naming any reviewers and many times being the antithesis of what many critics actually stated about the film (like the comments on The Story of Qiu Ju).
If you can find this at a good price and you are looking for a good overview of a vast cinema than this will be a good purchase. Otherwise there is a plethora of books that are more focused on Asian cinema.
For further study on Taiwan auteurs I would recommend Taiwan Film Directors: A Treasure Island by Emilie Yueh-Yu Yeh and Darrell Davis. For more in depth study on Hong Kong film I still recommend Hong Kong Cinema: The Extra Dimensions by Stephen Teo. I still have not read a good book dedicated to Mainland China cinema though.
Using the title from a Tsui Hark directed movie starring Jet Li (and a plethora of sequels) Jeff Yang, author of Eastern Standard Time and coauthor of the Jackie Chan autobiography I Am Jackie Chan, attempts to pen a "… comprehensive guide to the unique cinemas of Hong Kong, Taiwan and the Mainland…". While ultimately Yang fails in his thesis he did write and collaborate with many co-writers to create a well thought out albeit terse primer on the cinema of these three cinemas (134 pages). It is followed by a Capsule Reviews section (135 pages) that gives a summary overview of pertinent films discussed in the book or, I suppose, considered important by Yang.
This book does a good job of succinctly stating the origins of Chinese Film, the important companies such as Cathay, Shaw Brothers and MP&GI, the importance of Mandarin and Cantonese cinema, TVB, Triads, important actors such as Jackie Chan, Stephen Chow (Chiau), Michael Hui and directors as Chang Cheh, Zhang Yimou, Tsai Ming-liang, Wong Kar-wai and Wong Jing and many more. In fact the book works well as a "cliff notes" version of these cinemas with a particularly strong emphasis on Hong Kong cinema. There is mention of many genres and his writing is strong enough that I wished there was more material to peruse. The essays interspersed throughout the book on specific topics such as Wong Fei Hung, The Shaolin Temple by Linn Haynes, Jin Yong by Peter Nepstad and Category III Erotica by John Charles help tremendously in keeping the book interesting as well as informative.
Unfortunately, the Capsule Reviews are probably the least important part of the book. It does not always enough detail to enlighten or enhance your viewing, misses some important HK genre pictures like Sammo Hung's Prodigal Son and Spooky Encounters and ends a lot of the reviews with "Reviewers called it…" with a particular point of view without naming any reviewers and many times being the antithesis of what many critics actually stated about the film (like the comments on The Story of Qiu Ju).
If you can find this at a good price and you are looking for a good overview of a vast cinema than this will be a good purchase. Otherwise there is a plethora of books that are more focused on Asian cinema.
For further study on Taiwan auteurs I would recommend Taiwan Film Directors: A Treasure Island by Emilie Yueh-Yu Yeh and Darrell Davis. For more in depth study on Hong Kong film I still recommend Hong Kong Cinema: The Extra Dimensions by Stephen Teo. I still have not read a good book dedicated to Mainland China cinema though.